Interdisciplinary research project "Eco-Operations"

The climate change crisis has become part of both aesthetic discourses and critical research perspectives in culture and the arts. Until recently, the focus has mainly been on the representation of the prevalent ecological relationships and cycles or on the impacts on the environment and contemporary society. Increasingly, however, future-oriented, ecologically conceived possibilities for action are being explored by emergent artists, curators, and critical scholars. In addition to the need for global and local (co)operations, new technologies present both challenges and opportunities for shaping a sustainable future.

“Eco-operations” and “e-cooperations” address both the ecologies and technologies of cooperation (artistic, activist, curatorial, etc.). The concepts of “flow” and “network” that are central in globalization studies are relevant for this perspective and, as the hyphen suggests, for the discussion of interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. The project critically distances itself from notions of a single, coherent (eco- or techno-) system and emphasizes instead frictions within asynchronously running systems. The aim is therefore to form a working group that addresses curatorial and artistic practices of cooperation (including structurally or institutionally supported or ‘enforced’ cooperations in the field of "global art"), in order to critically reframe them. Media formats and infrastructures play here a central role, as they enable and regulate processes of sharing and exchange. In this context, artists and activists depend on the same media ecological environments into which they simultaneously intervene. This points to a field of tension between global and local ecologies, where dissonances can be identified and, accordingly, signify both creative potential and political challenges.

From an interdisciplinary approach (film, literature, media studies, art history, philosophy, political theory, and cultural analysis), “Eco-operations” aims to inquire into these questions and speculations. The intention is not to strive towards a coherent product, but to elaborate and present fragments of thought in public discussions, exhibitions, authors' workshops, and essays that will be published in collective formats.

As part of the “Eco-operations”, two lectures have already taken place on July  21 and 22, 2022 in Kassel on the occasion of documenta 15 and in spring 2023 as part of the discourse and exhibition program at KINDL in Berlin.

The project is supported by the University of Kassel and documenta Institut, the University of Zurich and Zentrum Künste und Kulturtheorie (ZKK). "Eco-Operations" is jointly organized by Liliana Goméz (University of Kassel / Kunsthochschule Kassel) and Fabienne Liptay (University of Zurich).


Prof. Dr. Liliana Gómez
Professorship "Art and Society"